This poem demonstrates how Pablo Picasso created a political statement about
the Spanish Civil War within his painting Guernica.
Picasso’s Paint
A country town
Both small and plain
Called Guernica
In Northern Spain
Was caught among
A fatal mix
Of war
In nineteen-thirty six
Of war
In nineteen-thirty six
The people did scream
And the children did cry
As bombs, they fell
General Franco
A fascist leader, they say
Was the dark force surrounding
Events of that day
In Paris, that day
Far across the land
Lived Pablo Picasso
With paintbrush in hand
He heard of the news
And his heart sank in pain
To hear the bombs fell
In his hometown of Spain
He decided that day
He knew then and there
Just what he would paint
For the Paris World Fair
And so became Guernica
In black white and gray
And that tragic spring day
Not the glories of war
Or the heroes of Spain
But the death and destruction
The nonsensical pain
Picasso’s paint spread the truth
So in Paris that day
Picasso’s paint took a stance
Yet the message goes deeper
Than it seems at first glance
See the bull on the far left
Looking dark and serene
Like a sinister presence
Detached from the scene
The bull may represent
Bomber Nazis in flight
Or perhaps he’s the man
Who gave orders to fight
The horse in the center
Expression of fear
Painted so lively
The scream, you can hear
It’s been said that the horse
In its obvious pain
Represents all the victims
See the woman and child
Though it may mean much more
Devastating results
Of a harsh civil war
A candle burns brightly In the midst of it all
Held by a figure
Stretching straight through the wall
A light among chaos
A promising sign
In a troubling time
At the top of the scene
Is a soaring white dove
Camouflaged by the darkness
Like a shadow above
The white dove should reflect
An emblem of peace
But the painted black wings
Show the fire won’t cease
Guernica hangs today
A testimony of war
And the damage it did
And the damage it did
Picasso’s paint spread the truth
Of war’s horrors and sins
A civil war is a battle
That nobody wins
Picasso’s paint told a story
One the victims couldn't tell
Not just Guernica’s image
But their voices as well
References:
Beardsley, John. First
Impressions: Pablo Picasso. New York: Harry N. Abrams, 1991. Print.
Forrest, Andrew. The
Spanish Civil War. London: Routledge, 2000. Print.
"Guernica: A Testimony of War." Treasures
of the World. PBS. N.d. Guernica: A Testimony of War. Web. 8
Oct. 2014.
<www.pbs.org/treasuresoftheworld/a_nav/guernica_nav/main_guerfrm.html>.
Transcript.
Lac, Karen. Pablo Picasso- A Biography of
Spain's Most Colorful Painter. N.p.: Hyperink, 2002. Print.
Image Credits:
Beardsley, John. First Impressions: Pablo Picasso